The film would unfold in two parts, a Biblical section and a “modern” section. According to a Exhibitors Herald news item, DeMille. A Exhibitors Herald column explained that the LAT had held a “scenario contest,” awarding $1,000 to the best idea expressed in “not more than three hundred words.” Impressed by what he saw as public interest in a “tremendous theme,” DeMille decided that The Ten Commandments would mark the biggest, most ambitious picture of his career. DeMille planned to base his next picture on the Biblical treatise known as the Ten Commandments. In Nov 1922, various contemporary sources reported that director Cecil B. And they made their lives bitter with hard bondage, in mortar and in brick, and in all manner of service in the field.” They are not laws-they are the LAW.” These titles are followed by a quotation from Exodus 1: 13–14: “And the Egyptians made the children of Israel to serve with rigour. They are the fundamental principles without which mankind cannot live together. The Ten Commandments are not rules to obey as a personal favor to God. It existed before it was engraven upon Tablets of Stone. And now a blood-drenched, bitter world-no longer laughing-cries for a way out. Then, through the laughter, came the shattering thunder of the World War. The film begins with the following written prologue: “Our modern world defined God as a ‘religious complex’ and laughed at the Ten Commandments as OLD FASHIONED.
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